“Inception” won the sound-editing feature-film music prize and feature-film fx and foley. “The Pacific” won for both TV longform DX and ADR, and fx and foley. Sound in an animated feature went to “How ...
For months now, I’ve been fastidiously avoiding anything and everything having to do with Christopher Nolan’s Inception—he’s a hell of a filmmaker, and Inception sounds like it could be a hell of a ...
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